American War, by Omar El Akkad (Review)

52861895_316834162517377_5928037333659025408_nAmerican War
by Omar El Akkad

Genre: Science Fiction, Dystopian

Length: 384 Pages

Release date: April 4, 2017

Synopsis: 

An audacious and powerful debut novel: a second American Civil War, a devastating plague, and one family caught deep in the middle a story that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself.

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.”

rating

three

“This country has a long history of defining its generations by the conflicts that should have killed them.” 

I had really mixed feelings towards this book, and I feel like it’s one of those stories I like more in concept than in execution. American War is a science fiction novel set in a future where America has been ravaged by climate change, disease, and violence. While the author has done a good job of choosing timely issues to explore, particularly in regards to climate change and clinging to outdated ideals in the face of rapidly changing circumstances, something about the world building felt rather hollow to me.

While excessive info-dumping can surely kill a novel, this one seemed to suffer from a lack of substance in its back story. The American history of Sarat’s world is in a lot of ways a big, gaping blank. There are tidbits thrown into the narrative throughout the book, often in the form of quasi-historical documents, interviews with soldiers, etc., but they focus mainly on the war itself and not how the country got to that point.

Sarat makes for a bit of a thorny protagonist, although necessarily so. This story is in large part about radicalization and how circumstances can poke and prod an ordinary person into becoming a terrorist. “For Sarat Chestnut, the calculus was simple. The enemy had violated her people, and for that she would violate the enemy. There could be no other way, she knew it. Blood can never be unspilled,” El Akkad writes.

The Sarat of the latter half of the book is violent and unforgiving, driven by vengeance. She has been through unimaginable things to make her this way, but still, it makes it difficult to connect with her while reading. Nevertheless, she makes for a very interesting character study and exploration of how victimization and isolation can lead to radicalization under the right circumstances. It’s very easy for the reader to see why Sarat was targeted as a recruit, but less so for her in her young and vulnerable state. Seeds are planted in Sarat’s youth which don’t fully come to fruition until the end of the novel.

American War sometimes felt tonally awkward for me as a reader, with excessively stereotypical depictions of southerners. With the number of years between present day and Sarat’s story (the war begins in 2074, for reference) surely attitudes, slang, etc. would have shifted more in the amount of time? Inventing slang for a futuristic society can be dicey and easily end up sounding cheesy, but with more than half a century between our time and Sarat’s, the fact that their speech patterns so closely mirror the modern stereotypical southern feels like a wasted opportunity to bring some flavor to the world building.

My final issue with this book was that a major spark of the conflict (fossil fuels) didn’t feel entirely believable. Yes, this is a point of contention in the real world, but it is taken to such a ridiculous extreme in this novel that I found it difficult to buy into it. Late in the novel, Sarat has solar cells which are used part time at her home, but she continues to unnecessarily use outlawed fuel… on principal, I guess? A strange hill to die on, but okay.

Given what has preceded this point, Sarat’s continued animosity makes sense. However, it seems like it would be based more on the deaths of friends and family members, to the point where emotional ties to fossil fuels no longer make sense as a factor, particularly given the advances in technology in our modern times, which will make clean energy more and more accessible as time goes on. This is not a woman using outlawed fuel because she needs it or because it’s more efficient than the alternative. This is a woman using outlawed fuel because “eff the north,” full stop.

Overall, this book was just a very mixed bag. Sarat’s slow progression as she became sucked into extremist ways of thinking was well done in a lot of ways, but the overall story suffered from a rather thin backstory and clunky world building. A somewhat enjoyable read, but for all the literary awards and hype, I was expecting more.

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Review – The Psychology of Time Travel, by Kate Mascarenhas

Psych.jpg

The Psychology of Time Travel
by Kate Mascarenhas

Genre: Science Fiction, Mystery

Length: 336 Pages

Release date: February 12, 2019

Publisher: Crooked Lane Books

Synopsis:

1967: Four young female scientists invent a time travel machine in their remote lab in Cumbria. They become known as the pioneers: the women who led the world to a future where no knowledge is unattainable.

2016: Ruby Rebello knows that her beloved grandmother was one of the pioneers, but she refuses to talk about her past. Ruby’s curiosity soon turns to fear however, when a newspaper clipping from four months in the future arrives in the post. The clipping reports the brutal murder of an unnamed elderly lady.

Could the woman be her Granny Bee?

rating

five

I received an ARC of this book in exchange for an honest review. Many thanks to NetGalley and Crooked Lane Books for the review copy. All opinions are my own and not influenced by the publisher.

Mascarenhas’ debut novel is so delightfully fun! Reading the blurb, you’d expect the mystery to be the main thrust of this novel, and while it is certainly a major focal point, there’s so much else going on that the mystery ends up feeling like a bonus. The novel has several POV characters in several different timelines, but Mascarenhas has made it fairly easy for the reader to keep the various characters straight.

The story begins with Ruby’s “Granny Bee,” or Barbara, in the 1960’s as she and her colleagues are putting the finishing touches on their newly developed time travel technology. Barbara suffers a mental health crisis which seemed to have been triggered by time travel, and she is ousted from the group to prevent bad PR. If the public at large gets wind of a link between mental illness and time travel this early in the game, their careers will be over before they’ve truly begun. Barbara’s contributions are swept under the rug and her colleagues rush onward to fame and fortune without her.

assorted silver colored pocket watch lot selective focus photo

Fast forward to modern day, and the Conclave founded by Granny Bee’s former friends now operates on its own terms, outside the laws of the land. The logic for this is that laws change over the years and that a time travel organization necessarily needs a constant set of a rules. Sound logic, perhaps, but an organization policing itself is dicey at best. The Psychology of Time Travel is as much about the corrupt politics of the Conclave and the twisted mindsets of long-term time travelers as it is about the mystery.

Mascarenhas asks what death would mean to a seasoned time traveler and explores that in this novel. If your father dies, but you can hop into a time machine and go on visiting him anyway, does he seem dead to you? Why should he seem any more or less alive than any other person if you can travel hundreds of years into the future and then pop back to 1973 later on that day? What happens to you when the only death that truly feels final is your own? And what happens if you already know the date and circumstances of that death?

The Psychology of Time Travel is a science fiction story wrapped in a thought experiment and tied together with a murder mystery. It features multiple female scientists as prominent characters and gives great attention to diversity. The world building is phenomenal and the story is infinitely engaging. I look forward to seeing what Mascarenhas writes next!

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About the Author

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Kate Mascarenhas is a writer.

Born in 1980, she is of mixed heritage (white Irish father, brown British mother) and has family in Ireland and the Republic of Seychelles.

She studied English at Oxford and Applied Psychology at Derby. Her PhD, in literary studies and psychology, was completed at Worcester.

Since 2017 Kate has been a chartered psychologist. Previously she has been an advertising copywriter, bookbinder, and doll’s house maker. She lives in the English midlands with her partner.

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Wildcard, by Marie Lu (Review)


Wildcard
by Marie Lu

Genre: YA, Science Fiction

Length: 352 Pages

Release date: September 18, 2018

Synopsis: 

Emika Chen barely made it out of the Warcross Championships alive. Now that she knows the truth behind Hideo’s new NeuroLink algorithm, she can no longer trust the one person she’s always looked up to, who she once thought was on her side.

Determined to put a stop to Hideo’s grim plans, Emika and the Phoenix Riders band together, only to find a new threat lurking on the neon-lit streets of Tokyo. Someone’s put a bounty on Emika’s head, and her sole chance for survival lies with Zero and the Blackcoats, his ruthless crew. But Emika soon learns that Zero isn’t all that he seems–and his protection comes at a price.

Caught in a web of betrayal, with the future of free will at risk, just how far will Emika go to take down the man she loves?

rating

two

*Minor spoilers included in this review.*

Oh, Wildcard,  I wanted to like you. I gave Warcross a three star review, so it was solid but not super impressive in my eyes, but I was intrigued enough by the end to want to continue the series. I should not have bothered.

Let me start with the positive; this book is trying to do a lot of interesting stuff thematically. Through Hideo’s character, Lu explores how practically limitless power, unresolved past trauma, and technology can intersect with disastrous consequences. The abuse of power through advanced tech is not a remotely new theme in sci-fi, but Wu’s futuristic society in this series does provide an interesting platform to explore it.

Also, Emika mentions her “rainbow hair” probably at least 50% less in this book than she did in the first one, so that was a plus. (Seriously, that phrase was used so often in Warcross that I think it may forever make my eye twitch when I hear it.)

That being said, I had a lot of problems with this book. Complex villains are good, but I wasn’t super thrilled about how Hideo’s character arc was handled, particularly in relation to Emika. She is horrified by what he’s done but can’t seem to shake her feelings for him. I’m not into the dynamic there; if you’re into shipping Kylo Ren and Rey, you’ll probably like it a lot more than I did. Emika spends a lot of time sympathizing with Hideo and thinking about how the loss of his brother has driven him down the path to becoming essentially a super villain. People die due to Hideo’s manipulation of the tech he’s tricked them into using. We all lose people, buddy. Most of us don’t resort to attempting mind control over the entire population of the earth over it.

Overall, it just feels like Wu wants us to view Hideo as a redeemable character, and I don’t see him that way at all. Your mileage may vary.

But on a broader note, I just had a hard time connecting with any of the characters in this at all. They all felt a bit flat and I had trouble keeping Emika’s teammates straight for a good bit of the book. Even Emika never really jumped off the page for me, and she’s the protagonist. She seems like she sometimes veers into that “bland MC who can’t be too much of a character because the author wants you to be able to picture yourself in their role” kind of territory.

Wildcard also features one major plot twist, and maybe it’s a product of being outside of the target audience for YA novels, but it did not take me remotely by surprise. It was an interesting development, but it seems like Lu was laying on the foreshadowing a bit too thick for it to have the punch that she wanted it to.

Finally, it feels very disconnected from the book that came before it in a way I can’t quite articulate. A lot of other reviewers have stated that they almost felt like it took place in a separate universe from the first installment, and I can definitely understand that assessment. Warcross as a game also plays a much smaller role in this book, and I think that also contributes to a totally different vibe.

Basically, there was a lot of potential in this book, but it felt a bit squandered. I don’t know if Lu is planning another installment of this series, but regardless, I’m saying goodbye forever to Emika and her rainbow colored hair.

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Review – Severance, by Ling Ma


Severance
by Ling Ma

Genre: Science Fiction, Dystopia

Length: 304 Pages

Release date: August 14, 2018

Synopsis: 

An offbeat office novel turns apocalyptic satire as a young woman transforms from orphan to worker bee to survivor

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend.

So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.

Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?

A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.

rating

three

Severance feels like a zombie story that very much does not want to call itself a zombie story. While the people infected with Shen Fever don’t go around trying to eat brains, there is a very zombie-like quality to their mindless repetition of rote tasks. Then again, the narrator has a bit of a zombie-like quality to her as well, as do a lot of the work-obsessed people huddled together in New York City before the fever breaks out. (And, my God, does Ling Ma hammer that point home. The parallels between the meaningless rate race and the actual zombies are brought up so many times it seems like the author was afraid the readers would miss it.)

The overall tone of the novel may be best described as “sleepy,” which is an interesting choice for an apocalyptic novel, but I suppose it meshes well with the characterization of Candace. Prior to the fever breaking out, she was whiling away her youth in an office job she had more or less fallen into and didn’t particularly enjoy, but endured for the stability it offered.

Structurally, the novel bounces around a lot in time, which was somewhat disorienting at times. For the most part, it switches back and forth between Candace’s time working in her office and her later travels with a small band of remaining survivors. At one point, it switches without warning to give the backstory of her parents, detailing their coming to America from China and her mother’s struggle to adjust.

I think that the cultural aspects of the novel were one of its major strengths. Candace’s status as an immigrant is important to the story in a lot of ways, and her experience as someone who came to America as a child contrasted sharply with that of her parents. China would always be home to them. Despite being born there, Candace felt less connection, and struggling to speak Mandarin on an adult level became a source of embarrassment for her. I always find stories of first generation immigrants interesting, particularly the exploration of what it’s like to be essentially sandwiched between to cultures, and I thought this was something Ling Ma handled very well.

Overall, I enjoyed Severance, but found it somewhat lacking in terms of plot. The lack of structure in terms of timelines left things feeling somewhat disconnected, and it began to get very repetitive when it came to the point of drawing parallels between the drone-like qualities of both the fevered and healthy people in the story.

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Review – The Dreamers, by Karen Thompson Walker

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The Dreamers 
by Karen Thompson Walker

Genre: Fiction, Science Fiction

Length: 320 Pages

Release date: January 15, 2019

Publisher: Random House

Synopsis: 

A mesmerizing novel about a college town transformed by a strange illness that locks victims in a perpetual sleep and triggers life-altering dreams—by the bestselling author of The Age of Miracles, for fans of Emily St. John Mandel’s Station Eleven and Kazuo Ishiguro’s Never Let Me Go.

In an isolated college town in the hills of Southern California, a freshman girl stumbles into her dorm room, falls asleep—and doesn’t wake up. She sleeps through the morning, into the evening. Her roommate, Mei, cannot rouse her. Neither can the paramedics who carry her away, nor the perplexed doctors at the hospital. Then a second girl falls asleep, and then another, and panic takes hold of the college and spreads to the town. As the number of cases multiplies, classes are canceled, and stores begin to run out of supplies. A quarantine is established. The National Guard is summoned.

Mei, an outsider in the cliquish hierarchy of dorm life, finds herself thrust together with an eccentric, idealistic classmate. Two visiting professors try to protect their newborn baby as the once-quiet streets descend into chaos. A father succumbs to the illness, leaving his daughters to fend for themselves. And at the hospital, a new life grows within a college girl, unbeknownst to her—even as she sleeps. A psychiatrist, summoned from Los Angeles, attempts to make sense of the illness as it spreads through the town. Those infected are displaying unusual levels of brain activity, more than has ever been recorded. They are dreaming heightened dreams—but of what?

Written in gorgeous prose, The Dreamers is a breathtaking novel that startles and provokes, about the possibilities contained within a human life—in our waking days and, perhaps even more, in our dreams.

rating

four

My thanks to Random House for sending me an ARC of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

If you like stories which answer all of your questions by the end and wrap everything up in a neat little bow, The Dreamers may not be for you. However, if dreamy, evocative prose and heartfelt relationships between characters are what make a novel worthwhile for you, I definitely recommend giving The Dreamers a chance.

The Dreamers alternates between the perspectives of multiple characters in the aftermath of the outbreak of a mysterious sleeping sickness. Sufferers fall into a REM-like sleep and cannot be awoken, but appear for all intents and purposes to be otherwise healthy. The science fiction aspect of the story remains in the background, while the reactions of people both on an individual level and as a group are the focus of the novel.

Facing rising panic in the community as the disease remains a total mystery and continues to spread, we get to know the young daughter of a doomsday prepper who never envisioned this particular possibility, the father of a newborn who is struggling with the danger to which is child is now exposed, the roommate of patient zero who feels guilty for not noticing and trying to help sooner, and a psychiatrist working to solve the mystery of the sleeping sickness. Pressure slowly mounts as a quarantine is put into place and each of these characters spends day after day in fear.

This rising tide of panic provides some of the most interesting passages in The Dreamers. The story is deeply psychological, pushing each character to their limits, often coming back to the same question: will you help when it becomes difficult, when it’s scary, when it can come at great personal cost? What is your breaking point? What if you would put your loved ones at risk in addition to yourself? With the constant threat of spreading this mystery contagion, some characters will step up and some will run for cover. At each step of the way, we are called to sympathize with them for these choices, whether or not we agree with them.

As I said, The Dreamers may not be for you if you need all of your questions answered by the final page of the novel. Despite thoroughly enjoying the process of reading this, I felt at the end that there was a lack of resolution. I wanted more answers. I wanted closure and a concrete sense that those who remained were forever changed by the experience. This lack of resolution kept this from being a five star book for me, but Karen Thompson Walker’s gorgeous prose and exploration of human emotions were well worth the time invested in this novel.

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Thank you for reading! Have you read The Dreamers? What were your thoughts? Do you prefer science fiction where the deviations from the real world are front and center, or consigned to the background and used solely as a catalyst to explore what it means to be human? Discuss in the comments!

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Review – Mirage, by Somaiya Daud


Mirage
by Somaiya Daud

Genre: YA, Fantasy

Length: 320 Pages

Release date: August 28, 2018

Synopsis: 

In a star system dominated by the brutal Vathek empire, eighteen-year-old Amani is a dreamer. She dreams of what life was like before the occupation; she dreams of writing poetry like the old-world poems she adores; she dreams of receiving a sign from Dihya that one day, she, too, will have adventure, and travel beyond her isolated moon.

But when adventure comes for Amani, it is not what she expects: she is kidnapped by the regime and taken in secret to the royal palace, where she discovers that she is nearly identical to the cruel half-Vathek Princess Maram. The princess is so hated by her conquered people that she requires a body double, someone to appear in public as Maram, ready to die in her place.

As Amani is forced into her new role, she can’t help but enjoy the palace’s beauty—and her time with the princess’ fiancé, Idris. But the glitter of the royal court belies a world of violence and fear. If Amani ever wishes to see her family again, she must play the princess to perfection…because one wrong move could lead to her death.

rating

three

“You do not kneel or bend, I told myself. To anyone. You continue.”

Can I just start by saying that I bought this book purely because of the beautiful cover. Seriously, look at it! I went into it totally blind without even reading the synopsis, so I had no idea what to expect. Mirage is part one of a three part series, and follows the story of Amani, a young woman who is kidnapped by royalty to serve as an expendable body double for the princess in potentially risky situations.

The book definitely feels like the first installment of a series in the worst possible way; it just feels very incomplete in a way that’s difficult to articulate, and I have to put that down to Daud working to set up the events of the next two novels. This actually wasn’t a huge issue for me, as I like some of the themes Daud is playing with, and I’m hoping that the payoff will be worth it in later books. This installment was super character-driven, which isn’t a huge issue in and of itself, but I’m hoping the sequel is a bit more plot-heavy.

It’s very obvious that the author is enamored with worldbuilding, and I do think the novel shines in that regard. Daud pulled from her own Moroccan heritage for inspiration in regards to establishing a culture in the novel, but she has set it in a science fiction environment, complete with imperial droids and colonies set up on moons. Mirage explores classism, colonization, and power dynamics in a really interesting and engaging way that meshes well with her worldbuilding. We see familiar political and cultural themes from the real world, and I think all the best science fiction does this. Lighthearted adventures in space are fun, but substance like this takes things up a notch.

Mirage also begins a romance subplot which will likely continue in the later books, and this was my least favorite aspect of the book. Like so many books in the young adult genre, Mirage seems to want to jump straight into the characters being totally enamored without much thought given to convincing the audience of this. Your mileage may vary here, but personally I was totally uninvested in this part of the story, and I was far more interested in exploring Amani’s fraught and complicated relationship with the princess.

I think more pages could have been devoted to showing the evolution of that relationship and Amani’s begrudging sense of sympathy for the princess, who she realizes has her own unique set of problems. Princess Maram is a deeply flawed person, and it never feels like Daud is trying to make us forget this, but her treatment of this character is nuanced, which I really appreciated. Maram is only half Vathek, a child of the Vathek king and the unwilling queen of the conquered people as a means to solidify his claim to her land. She is resented by her mother’s people as a symbol of the conquering class, and she is viewed with contempt by her father’s people for being an “impure” half-blood. Despite her position of privilege, she is without a place in the world (or entire star system, in this case) and she is in that sense a tragic character.

I wasn’t over the moon about this book, but I definitely enjoyed it enough to know I’ll pick up the next installment. My hopes for the next book: a bit less time in Amani’s head in favor of more plot development, make me buy into the romance or drop it altogether, and some kind of redemption arc for Maram. Amani and Maram should align their interests and take down the whole wretched system.

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Review – Warcross, by Marie Lu


Warcross
by Marie Lu

Genre: Young Adult, Science Fiction

Length: 353 Pages

Release date: September 12, 2017

Publisher:Putnam’s Sons Books for Young Readers

Synopsis: 

For the millions who log in every day, Warcross isn’t just a game—it’s a way of life.

The obsession started ten years ago and its fan base now spans the globe, some eager to escape from reality and others hoping to make a profit. Struggling to make ends meet, teenage hacker Emika Chen works as a bounty hunter, tracking down Warcross players who bet on the game illegally. But the bounty hunting world is a competitive one, and survival has not been easy. To make some quick cash, Emika takes a risk and hacks into the opening game of the international Warcross Championships—only to accidentally glitch herself into the action and become an overnight sensation.

Convinced she’s going to be arrested, Emika is shocked when instead she gets a call from the game’s creator, the elusive young billionaire Hideo Tanaka, with an irresistible offer. He needs a spy on the inside of this year’s tournament in order to uncover a security problem . . . and he wants Emika for the job. With no time to lose, Emika’s whisked off to Tokyo and thrust into a world of fame and fortune that she’s only dreamed of. But soon her investigation uncovers a sinister plot, with major consequences for the entire Warcross empire.

rating

three

Warcross was kind of a frustrating read for me, because I like a lot of what Lu was trying to do, but some of her narrative choices and her writing style got under my skin. (This is nit-picky, but as an example, this book contains the ridiculously cliché phrase “I let out a breath I didn’t know I was holding” at least twice. Emika also mentions her “rainbow-colored hair” more times than I could count.) Maybe I should go easier on the writing style when it comes to YA novels, but I feel like one can write simply enough for the genre while still writing well, and this novel did not accomplish that.

The worldbuilding also felt somewhat sloppy in some respects. There was a lot of interesting stuff going on in regards to the virtual reality technology, but the descriptions felt inconsistent. For example, Warcross is a specific game that comes with the VR glasses that exist in this novel, but there seems to be no distinction drawn between playing that specific game and using the glasses in any other manner; it’s all “playing Warcross.” This feels like an intentional narrative choice rather than a slip-up (maybe to emphasize how integral the game has become in everyday life) but it just ended up feeling muddled to me.

The romance subplot was exhausting to read. Hideo Tanaka enters the story like a YA-appropriate Christian Grey; none of the BDSM, but all of the brooding, lack of boundaries, and super hefty power imbalance. I can’t talk about my feelings about him in any depth without getting into spoiler territory, but I will say I liked where Tanaka’s story seems to be leading for the second book and lot more than I liked slogging through the shallow romance in this one.

Time for the obligatory Ready Player One comparisons. I’m of the unpopular opinion that Ready Player One is terrible (sorry, guys) and despite my issues with Warcross, I think I preferred it to Ready Player One. There is one thing I think Ready Player One does better, and that is in developing the real world well enough that it becomes obvious to the reader why a lot of people would prefer to spend their time in the Oasis. After finishing Warcross, I feel like I don’t know much about the real world in that novel outside of “there’s, like, a lot of crime.” However, Warcross makes a lot more of an effort for diversity and also doesn’t commit the crime of spending pages at a time on pop culture references that are clearly only for the author’s own amusement. Warcross also feels like it’s going to articulate a much more coherent moral message than Ready Player One ever managed to do, although that remains to be seen in Wildcard. 

Warcross is an engaging and fast-paced novel with a likable protagonist, an interesting (if somewhat underdeveloped) setting, and a plot twist that will have you reaching for the second book. So while I didn’t love this, I’ll definitely be reading Wildcard soon.

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Thank you for reading! Have you read Warcross? Please share your thoughts in the comments!
What’s your favorite novel where video games play an important role?

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