The Nobody People, by Bob Proehl (Review)

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The Nobody People
by Bob Proehl

Genre: Science Fiction

Length: 496 Pages

Release date: September 3, 2019

Publisher: Del Rey Books

Synopsis: 

After decades in hiding, a group of outcasts with extraordinary abilities clashes with a world that is threatened by their power.

When Avi Hirsch learns that his daughter Emmeline has special abilities, he tries to shield her against an increasingly hostile society. Carrie Norris can become invisible, but all she wants is to be seen by the people she loves. Fahima Deeb has faced prejudice her entire life, but her uncanny connection to machines offers her the opportunity to level the playing field. These are just a few of the ordinary nobodies with astonishing gifts who must now band together against bigotry and fear, even as one of their own actively works to destroy a fragile peace. Will their combined talents spark a much-needed revolution–or an apocalypse?

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My thanks to NetGalley and Del Rey Books for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

The Nobody People was a bit of a lukewarm read for me. I love superhero stories, but the concept has been done to death at this point, making it really difficult to write one that doesn’t feel stale. There needs to be an interesting twist, super engaging characters, or just… something new to say. Unfortunately, The Nobody People felt just a bit too cookie-cutter for me.

As other reviewers have noted, one of the bigger flaws of the novel is that it feels like someone has taken a four or five book series and tried to cram it all into a novel. Proehl is trying to do a lot of interesting things with his varied cast of characters, and the book has a bit of a long timeline. In the end, it was too much for one book, and none of it got explored with the depth needed to actually engage readers. Avi, for example, who is one of the major characters, has to come to terms with a crumbling marriage and essentially losing his super-powered daughter as she finds a sense of community with others like herself. All of this ends up feeling very surface level, as there is simply too much going on with the many other characters at the same time.

With super-powered humans going to a school and living largely segregated from regular humans, the novel with inevitably draw comparisons to X-Men. One thing I did like about this book was that it took a lot of the things that were purely allegorical in X-Men (i.e., parallels between the civil rights movement, the fight for gay rights, etc.) and brings them to forefront of the novel. Prejudice against super-powered people doesn’t suddenly mean your garden variety racism has been forgotten, and some of the characters in Proehl’s novels are dealing with intersecting levels of marginalization due to their status as, for example, immigrants, mix-race people, or members of the LGBTQ community, making their experiences more complex.

All in all, this was an okay book, but not necessarily one I’d recommend to anyone. If superhero stories are your speed, there are much better ones out there to read. Some of my favorites are the books in the Reckoners series, by Brandon Sanderson, which takes the interesting angle of making all the super-powered humans villains and giving us a cast of ordinary people fighting back.

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Stolen Things, by R.H. Herron (Review)


Stolen Things
by R.H. Herron

Genre: Thriller

Length: 368 Pages

Release date: August 20, 2019

Publisher: Dutton

Synopsis: 

A sensational crime, a missing teen, and a mother and daughter with no one to trust but themselves come together in this shocking debut thriller by R. H. Herron.

“Mama? Help me.”

Laurie Ahmadi has worked as a 911 police dispatcher in her quiet Northern California town for nearly two decades. She considers the department her family; her husband, Omid, is its first Arab American chief, and their teenaged daughter, Jojo, has grown up with the force. So when Laurie catches a 911 call and, to her horror, it’s Jojo, the whole department springs into action.

Jojo, drugged, disoriented, and in pain, doesn’t remember how she ended up at the home of Kevin Leeds, a pro football player famous for his on-the-field activism and his work with the CapB—“Citizens Against Police Brutality”—movement. She doesn’t know what happened to Kevin’s friend and trainer, whose beaten corpse is also discovered in the house. And she has no idea where her best friend Harper, who was with her earlier in the evening, could be.

But when Jojo begins to dive into Harper’s social media to look for clues to her whereabouts, Jojo uncovers a shocking secret that turns everything she knew about Harper—and the police department—on its head. With everything they thought they could rely on in question, Laurie and Jojo begin to realize that they can’t trust anyone to find Harper except themselves . . . and time is running out.

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My thanks to NetGalley and Dutton for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

This book was a bit of a mixed bag for me. It’s compulsively readable and fast-paced, but the twist at the end is a bit much to swallow. I loved the alternating perspectives. “Mom who is practically married to her job” alternating with “teen daughter who the mother doesn’t know half as well as she thinks” is a little overdone in the genre at this point, but I thought it worked really well here.

There is a wide divide between the two POV characters, not just for typical “angsty teens are unreachable” reasons, but because Jojo is at a point in her life where she’s figuring out her own politics and value system, and they don’t align with those of her parents. Mystery/thriller novels are best, in my opinion, when they’re not driven solely by the mystery; Stolen Things has lots of interesting relationship dynamics to keep the story interesting.

One of the predominant themes of the book is police brutality, and that is part of what’s driving a wedge between Jojo and her parents, who both work in law enforcement (her father as a police chief and her mother, a former police officer as a 911 dispatcher). Also prominent in the story is an exploration of rape culture and victim blaming. While including social issues like these in a story can be admirable, I’m not sure that a fast-paced thriller is really up to the task of treating these topics with the gravity that would be necessary for them to feel like a natural part of the story. While the book is not categorized as Young Adult and is a bit too dark to fit into the genre, some of the passages which centered on social issues had a very YA feel to them.

Overall, this was definitely a page turner, but some sections felt awkward and fell flat. Stolen Things was worth a read and may be a great choice for fans of authors like Mary Kubica and Megan Miranda.

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The Winemaker’s Wife, by Kristin Harmel (Review)


The Winemaker’s Wife
by Kristin Harmel

Genre: Historical Fiction

Length: 400 Pages

Release date: August 13, 2019

Publisher: Gallery Books

Synopsis: 

Champagne, 1940: Inès has just married Michel, the owner of storied champagne house Maison Chauveau, when the Germans invade. As the danger mounts, Michel turns his back on his marriage to begin hiding munitions for the Résistance. Inès fears they’ll be exposed, but for Céline, half-Jewish wife of Chauveau’s chef de cave, the risk is even greater—rumors abound of Jews being shipped east to an unspeakable fate.

When Céline recklessly follows her heart in one desperate bid for happiness, and Inès makes a dangerous mistake with a Nazi collaborator, they risk the lives of those they love—and the champagne house that ties them together.

New York, 2019: Liv Kent has just lost everything when her eccentric French grandmother shows up unannounced, insisting on a trip to France. But the older woman has an ulterior motive—and a tragic, decades-old story to share. When past and present finally collide, Liv finds herself on a road to salvation that leads right to the caves of the Maison Chauveau.

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My thanks to NetGalley and Gallery Books for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

Okay. Minority opinion alert. This book currently has a very respectable 4.14 average on Goodreads, so if the synopsis sounds like something you’ll love, by all means, don’t let my review turn you off of it. But my honest reaction to this novel was mainly disappointment.

To start with, the synopsis gave me an impression of a plot that was firmly rooted in the resistance movement in France. Unfortunately, this all felt very secondary in the novel, and the main thrust of the historical portion of the plot hinges around marital affairs and discord. In and of itself, this could have been a decent focus for a story (despite not being what I was expecting) had the characters involved been a bit more developed. All that being said, there were high stakes for this part of the book and good cause to be emotionally invested in the outcome.

The modern portion of the plot, by contrast, felt tacked-on and lifeless. Liv, much like the characters in the earlier timeline, feel quite underdeveloped, and she was without the benefit of the tension in the HF portion to push the story along. Liv is recently divorced and sad about it. A very obvious romantic interest figure pops into the story when Liv’s grandmother, Edith takes her to France, and their romance is delayed to a positively ridiculous degree by a misunderstanding and multiple characters’ failure to communicate very basic facts.

Harmel has quite a few novels under her belt, but this one unfortunately read like a debut, in my opinion. The characters were all very shallow, and were often unsympathetic when I believe the author did not intend for them to be. The plot sometimes strained the limits of incredulity, and the more interesting aspects of the story routinely took a back seat to things like wine making and affairs. The rating is comparable to her prior books, however, so I think it’s safe to say that fans of her existing work will not be disappointed in this book as I was.

All that being said, I was still prepared to rate this around three stars rather than two until I got to a particular scene that cast the entirety of the book in a bad light for me. I will try to be as vague as possible to avoid giving away huge plot points, but some spoilers are ahead.

In a moment of distress, a character (I’ll call her person A) confides in a person whom she knows to be a Nazi collaborator. The secrets she gives away lead to the arrest of several people, who then end up in a concentration camp. Years later, one of the characters who has managed to survive the camp (I’ll call her person B) makes quite a point of saying that she doesn’t blame the person who gave her up to the Nazis. Her reasoning is essentially that Person A was careless but not cruel. Again, I’d like to emphasize that Person A was well aware that her confidant was a Nazi collaborator.

I’m all for victims finding forgiveness for those who have harmed them if it helps them find peace, but Person B is not a real person with autonomy; she is a character being fed lines by an author. Forgiveness can be healing, but there’s something about the narrative that seems to frame this as the “correct” choice, and that didn’t sit well with me. Perhaps I’m entirely misreading the author’s intentions, but this was the impression I left the book with, and it was enough to turn me off of a book I already had a rather lukewarm experience reading.

Again, many readers thoroughly enjoyed this book. If you are a fan of Harmel’s work, please do give it a chance. Unfortunately, this was my first impression of her work and I don’t think I’ll be reading another of her books.
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We Are All Good People Here, by Susan Rebecca White (Review)

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We Are All Good People Here 
by Susan Rebecca White

Genre: Historical Fiction

Length: 304 Pages

Release date: August 6, 2019

Publisher: Atria Books

Synopsis: 

Eve Whalen, privileged child of an old-money Atlanta family, meets Daniella Gold in the fall of 1962, on their first day at Belmont College. Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it.

Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden.

Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

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My thanks to NetGalley and Atria Books for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

We Are All Good People Here is trying to do a lot of things, but at the forefront is an exploration of radicalization. At the beginning of the book when Daniella and Eve first meet, Daniella seems the more likely of the two to fall into a radical protest movement. She is a young Jewish woman who experiences discrimination during a formative part of her life, and she’s passionate about fighting injustice against others. However, Eve, privileged, wealthy, and sheltered, has a difficult time navigating her early years away and college and all the drastic changes that come with it. She ends up being a more appealing and susceptible target for radical groups.

Eve was endlessly frustrating to me, not just as a person, but in the way she is written. She took a long time to make sense to me as a character, as her viewpoints swing from one extreme to the next and then back again. By the end of the book, I came to understand her as a person who defines herself by those who surround her and support her at any given time. She will become a mirror and reflect their own beliefs right back at them, and it becomes difficult to fathom what, if anything, is beneath that shiny surface.

While there was a lot of meat to this story and a lot of potential, my reading experience with it was just okay. The pacing sometimes felt a bit off and the story seemed to drag at time. But a big part of the problem is that I think the author was trying to do a little too much. Some books have loads of hot-button issues within them and they make it work. More often, it feels like the author is throwing everything at the wall to see what sticks; it does not feel organic.

While this book fell a little flat for me, I don’t regret reading it. I would recommend it to fans of books like The Help.

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The Turn of the Key, by Ruth Ware (Review)

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The Turn of the Key
by Ruth Ware

Genre: Mystery/Thriller

Length: 384 Pages

Release date: August 6, 2019

Publisher: Simon & Schuster

Synopsis: 

When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.

What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.

Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant.

It was everything.

She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is.

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My thanks to NetGalley and Simon & Schuster for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

The Turn of the Key is Ruth Ware’s fifth novel, and I won’t lie… her work has been a little hit and miss for me. I was so looking forward to her prior book, The Death of Mrs. Westaway, and ended up finding a bit predictable and boring. The Turn of the Key is Ware at her very best; I couldn’t put this book down! The basic plot points (not to mention the title) suggest that the book takes heavy inspiration from The Turn of the Screw, but the story has been thoroughly modernized, and knowing the ending of the classic novella won’t give away the ending of this one. Ware will keep you guessing.

The book takes place mainly in the ancient house owned by the family that hires the protagonist, Rowan, as a nanny. The environment has the Gothic vibe typical for a Ware novel, but there’s an interesting dynamic introduced by all the upgrades the owners have made to the home, converting the old house into a smart home, with lights, cameras, and everything down to the coffee maker controlled by an app.

The contrast between the old fashioned home and all the tech creates a kind of dissonance that’s off-putting for Rowan and creates a sense of tension. It also introduces some ambiguity to the creepy situations that follow; are the flickering lights being controlled by spirits who want Rowan to leave, someone with access to the app intentionally messing with her, or just a glitch in the system?

The story itself is told in the form of a letter which Rowan writes to a solicitor from a jail cell, asking for his help. We don’t find out until late in the story what exactly has led to her arrest, but she insists on her innocence. This was the perfect format to tel this story, because it leaves the possibility of an unreliable narrator wide open. Rowan obviously has a huge vested interest in how this story was told, and I spent a lot of the book wondering how much of Rowan’s story to believe.

My main quibble with the book was probably the hint of romance in it, but I’m personally a hard sell when it comes to romances. Nothing about the story line felt particularly awful, but it just felt a bit unnecessary and shoe-horned into the book.

Overall, this was definitely one of Ware’s strongest novels. After Mrs. Westaway, I was a little hesitant about picking it up, and I’m so glad I gave it a shot!

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Thank you for reading! The Turn of the Key was a Book of the Month selection for this month! Did you know that BOTM now has a separate subscription service just for Young Adult books? Click the gif below to check it out! (This is an affiliate link, which provides me with a small commission if you sign up; it does not increase the cost of subscribing to you.)

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The Flight Girls, by Noelle Salazar (Review)


The Flight Girls
by Noelle Salazar

Genre: Historical Fiction (WWII)

Length: 384 Pages

Release date: July 2, 2019

Publisher: MIRA

Synopsis: 

A stunning story about the Women Airforce Service Pilots whose courage during World War II turned ordinary women into extraordinary heroes

1941. Audrey Coltrane has always wanted to fly. It’s why she implored her father to teach her at the little airfield back home in Texas. It’s why she signed up to train military pilots in Hawaii when the war in Europe began. And it’s why she insists she is not interested in any dream-derailing romantic involvements, even with the disarming Lieutenant James Hart, who fast becomes a friend as treasured as the women she flies with. Then one fateful day, she gets caught in the air over Pearl Harbor just as the bombs begin to fall, and suddenly, nowhere feels safe.

To make everything she’s lost count for something, Audrey joins the Women Airforce Service Pilots program. The bonds she forms with her fellow pilots reignite a spark of hope in the face war, and—when James goes missing in action—give Audrey the strength to cross the front lines and fight not only for her country, but for the love she holds so dear.

Shining a light on a little-known piece of history, The Flight Girls is a sweeping portrayal of women’s fearlessness, love, and the power of friendship to make us soar.

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My thanks to NetGalley and MIRA for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

I’ll start this out by freely admitting that I seem to be in the minority opinion on this one. I read a lot of rave reviews and went in with super high hopes, ready for a WWII story with a lot of substance and a strong, interesting female protagonist. What I got felt more… fluffy romance set against a dark backdrop.

The book definitely plays lip service to the idea of a strong female lead, but it doesn’t really feel like it goes beyond that. Audrey is not like other girls because she likes to fly planes and doesn’t want to get married and have babies. The only reason she doesn’t want to get married and have babies, by the way, seems to be because it’d be nearly impossible to find a husband who would “allow” her to keep flying. I think this really gets at the heart of my issue with Audrey: that her love of flight really felt like her singular defining character trait. She never starting feeling like a person to me. I love that she had an unconventional passion for a woman of the time, but that’s not enough on its own to make her an interesting character.

Another reviewer on Goodreads also pointed out some anachronisms in the novel. This truly isn’t something that bothers me as a reader (barring something ridiculous like if Audrey were to suddenly pull out a flip phone) but for readers who are super into the accuracy of their history, it’s bound to ruffle some feathers.

The romance, while it took up a bigger part of the story than I would have liked, was fine. I liked that Audrey found someone who shared her passion and there seemed to be a huge amount of respect between the two of them, especially considering the normal power dynamics of a relationship in the time period. This felt healthy and sweet, if a bit predictable (although what romance isn’t?) My only real qualm with the romance aspect of the book was that I’m not a huge fan of the basic concept of the story, which was: “girl who adamantly never wants to get married discovers she just hasn’t met the right man yet!” I think The Flight Girls will appeal to romance fans far more than historical fiction fans, which seems odd given the premise and marketing of the book.

The Flight Girls is a story with a lot of potential that, while it missed the mark for me personally, seems to be a huge hit with a lot of readers. Pick this up if you’re in the mood a light read, but don’t expect hard-hitting historical fiction that makes you think. This is Noelle Salazar’s debut novel, and I do think she has tons of potential. I’m excited to see what she writes next!

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Recursion, by Blake Crouch (Review)

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Recursion
by Blake Crouch

Genre: Science Fiction

Length: 336 Pages

Release date: June 11, 2019

Publisher: Crown Publishing Group

Synopsis: 

Memory makes reality. That’s what New York City cop Barry Sutton is learning as he investigates the devastating phenomenon the media has dubbed False Memory Syndrome—a mysterious affliction that drives its victims mad with memories of a life they never lived.

Neuroscientist Helena Smith already understands the power of memory. It’s why she’s dedicated her life to creating a technology that will let us preserve our most precious moments of our pasts. If she succeeds, anyone will be able to re-experience a first kiss, the birth of a child, the final moment with a dying parent.

As Barry searches for the truth, he comes face-to-face with an opponent more terrifying than any disease—a force that attacks not just our minds but the very fabric of the past. And as its effects begin to unmake the world as we know it, only he and Helena, working together, will stand a chance at defeating it.

But how can they make a stand when reality itself is shifting and crumbling all around them?

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My thanks to NetGalley and Crown Publishing Group for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

Crouch’s last novel, Dark Matter, is very preoccupied with the road not taken. Recursion, despite all of its differences, continues in the same vein in that regard. What starts as an attempt to map and artificially store memories so that they may be experienced again turns into something quite different, with far-reaching consequences.

This is a difficult novel to review. I will keep this brief, because I think readers should ideally know very little about the story going into it. It’s a story best discovered organically, watching the plot unfold as the author intended. I will say that the story is very fast-paced, twisty, and intricate. You will want to pay close attention as the timeline jumps around.

Despite all of the action and food for thought, at the heart of this book is really a love story, which was very unexpected. This part of the book is thoroughly intertwined with the science fiction aspects of the book, making for a really interesting dynamic between the two characters at times.

“False Memory Syndrome” brings up lot of interesting question for the reader; what are we without our memories? If we cannot trust our own minds, how do we go on? The answer for many people in Crouch’s book seems to be simply “we don’t.” Part of the urgency surrounding FMS is that it brings with it a rash of suicides, as people wake up one day and suddenly remember a life lived with a spouse they’ve never met, raising children who don’t exist. The existential horror and loneliness are too much.

I enjoyed Dark Matter, and I think Recursion has proven to be somewhat of a step up. The science fiction aspect is a bit mind-bending, but not difficult to follow. The pacing is spot-on. The love story kept me emotionally invested in the outcome, perhaps more than the fate of the world at large did. While we never really get as much in-depth exploration of the mechanics of the sci-fi aspect as we do in Dark Matter, it’s hard to mind very much; the book is just so much fun.

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Thank you for reading! If you could store one memory so that you could experience it all over again, what would you choose?

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