The Flight Girls, by Noelle Salazar (Review)

The Flight Girls
by Noelle Salazar

Genre: Historical Fiction (WWII)

Length: 384 Pages

Release date: July 2, 2019

Publisher: MIRA


A stunning story about the Women Airforce Service Pilots whose courage during World War II turned ordinary women into extraordinary heroes

1941. Audrey Coltrane has always wanted to fly. It’s why she implored her father to teach her at the little airfield back home in Texas. It’s why she signed up to train military pilots in Hawaii when the war in Europe began. And it’s why she insists she is not interested in any dream-derailing romantic involvements, even with the disarming Lieutenant James Hart, who fast becomes a friend as treasured as the women she flies with. Then one fateful day, she gets caught in the air over Pearl Harbor just as the bombs begin to fall, and suddenly, nowhere feels safe.

To make everything she’s lost count for something, Audrey joins the Women Airforce Service Pilots program. The bonds she forms with her fellow pilots reignite a spark of hope in the face war, and—when James goes missing in action—give Audrey the strength to cross the front lines and fight not only for her country, but for the love she holds so dear.

Shining a light on a little-known piece of history, The Flight Girls is a sweeping portrayal of women’s fearlessness, love, and the power of friendship to make us soar.


My thanks to NetGalley and MIRA for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

I’ll start this out by freely admitting that I seem to be in the minority opinion on this one. I read a lot of rave reviews and went in with super high hopes, ready for a WWII story with a lot of substance and a strong, interesting female protagonist. What I got felt more… fluffy romance set against a dark backdrop.

The book definitely plays lip service to the idea of a strong female lead, but it doesn’t really feel like it goes beyond that. Audrey is not like other girls because she likes to fly planes and doesn’t want to get married and have babies. The only reason she doesn’t want to get married and have babies, by the way, seems to be because it’d be nearly impossible to find a husband who would “allow” her to keep flying. I think this really gets at the heart of my issue with Audrey: that her love of flight really felt like her singular defining character trait. She never starting feeling like a person to me. I love that she had an unconventional passion for a woman of the time, but that’s not enough on its own to make her an interesting character.

Another reviewer on Goodreads also pointed out some anachronisms in the novel. This truly isn’t something that bothers me as a reader (barring something ridiculous like if Audrey were to suddenly pull out a flip phone) but for readers who are super into the accuracy of their history, it’s bound to ruffle some feathers.

The romance, while it took up a bigger part of the story than I would have liked, was fine. I liked that Audrey found someone who shared her passion and there seemed to be a huge amount of respect between the two of them, especially considering the normal power dynamics of a relationship in the time period. This felt healthy and sweet, if a bit predictable (although what romance isn’t?) My only real qualm with the romance aspect of the book was that I’m not a huge fan of the basic concept of the story, which was: “girl who adamantly never wants to get married discovers she just hasn’t met the right man yet!” I think The Flight Girls will appeal to romance fans far more than historical fiction fans, which seems odd given the premise and marketing of the book.

The Flight Girls is a story with a lot of potential that, while it missed the mark for me personally, seems to be a huge hit with a lot of readers. Pick this up if you’re in the mood a light read, but don’t expect hard-hitting historical fiction that makes you think. This is Noelle Salazar’s debut novel, and I do think she has tons of potential. I’m excited to see what she writes next!


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The Binding, by Bridget Collins (Review)

The Binding
by Bridget Collins

Genre: Historical Fiction / Fantasy

Length: 437 Pages

Release date: April 16, 2019


Imagine you could erase grief.
Imagine you could remove pain.
Imagine you could hide the darkest, most horrifying secret.

Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a Bookbinder—a vocation that arouses fear, superstition, and prejudice among their small community but one neither he nor his parents can afford to refuse.

For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born. Under the old woman’s watchful eye, Emmett learns to hand-craft the elegant leather-bound volumes. Within each one they will capture something unique and extraordinary: a memory. If there’s something you want to forget, a binder can help. If there’s something you need to erase, they can assist. Within the pages of the books they create, secrets are concealed and the past is locked away. In a vault under his mentor’s workshop, rows upon rows of books are meticulously stored.

But while Seredith is an artisan, there are others of their kind, avaricious and amoral tradesman who use their talents for dark ends—and just as Emmett begins to settle into his new circumstances, he makes an astonishing discovery: one of the books has his name on it. Soon, everything he thought he understood about his life will be dramatically rewritten.


“Who the hell are you?”
“I’m the witch’s apprentice. Who the hell are you?” 

The reviews for The Binding  seem to be all over the place; either it will totally enchant you or bore you to tears, apparently. I think part of the problem for some readers is that the synopsis and marketing leave one expecting a full-blown fantasy novel. While there are fantasy elements and magic in this book, the overall feel is much more “historical fiction.” If you’re going into The Binding ready for a magical adventure, you may be disappointed.

But there’s a lot to love about this story. We get to watch the characters struggle with thorny ethical questions; what are the ramifications of helping someone to forget that they’ve done something terrible? What about forgetting the terrible things which have been done to them? What about binding good memories in exchange for money? If a person is so desperate for money that they’re willing to sell off their knowledge of, for example, their wedding day, are they really in a position to be capable of consenting to such a thing? Is offering money for something so treasured and irreplaceable inherently predatory?

At the heart of this novel is a love story, complicated by circumstances and drastic power imbalances. It’s messy, high stakes, and gut-wrenchingly genuine. It’s also the rare enemies to lovers story that doesn’t make me cringe. I don’t want to spoil anything, but Emmett has problems processing his feelings towards the love interest, for reasons that are obvious to the reader but not to him. His confusion manifests as hostility, and Collins managed to write the transition from that mindset into the love story very convincingly.

The Binding is slow, intricate, and contemplative. I think it’s somewhat a victim of poor marketing. Do not pick up this book expecting a fairy tale with loads of magic; with the exception of the ability to bind memories to a book, Emmett’s world is basically the real world of a few hundred years ago. Fans of detailed historical fiction or magical realism may want to sink their teeth into this novel.


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Next Year in Havana, by Chanel Cleeton (Review)

Next Year in Havana
by Chanel Cleeton

Genre: Historical Fiction

Length: 361 Pages

Release date: Feb. 6, 2018


After the death of her beloved grandmother, a Cuban-American woman travels to Havana, where she discovers the roots of her identity–and unearths a family secret hidden since the revolution…

Havana, 1958. The daughter of a sugar baron, nineteen-year-old Elisa Perez is part of Cuba’s high society, where she is largely sheltered from the country’s growing political unrest–until she embarks on a clandestine affair with a passionate revolutionary…

Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee with her family during the revolution. Elisa’s last wish was for Marisol to scatter her ashes in the country of her birth.

Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba’s tropical, timeless beauty and its perilous political climate. When more family history comes to light and Marisol finds herself attracted to a man with secrets of his own, she’ll need the lessons of her grandmother’s past to help her understand the true meaning of courage.


Have you ever finished a historical fiction novel and been left feeling like you’d have been better off reading nonfiction? That was my experience with Next Year in Havana. I love historical fiction, and (as much as I love WWII fiction) I’m always on the lookout for something interesting outside of the over-saturated WWII historical fiction genre. (Other time periods exist!)

So I went into this book with high hopes. I can’t recall ever reading a book that takes place in Cuba, so I was looking forward to a nice change of pace in terms of time period as well as location. The author clearly desperately wanted to write about Cuban history and culture… to the point where the narrative itself and the characters felt like very thinly veiled excuses to do so.

Fiction can of course be great and also heavily steeped in real history and culture (In the Time of the Butterflies, by Julia Alvarez, is an example of a book which I think accomplishes this better), but the narrative needs to be interesting in its own right. The characters need to feel genuine. Next Year in Havana never felt like more than a vehicle to write about Cuban history.

As you can tell from the synopsis, this book is made up of two alternating time lines; one in the modern day told from the point of view Marisol as she returns to Cuba to spread her grandmother’s ashes, and one telling the story of her grandmother’s youth in Cuba. Both of these timelines have a romance sub-plot, and neither feels really justified. This is particularly true in the case of Marisol, who falls madly in love in the span of the maybe two weeks that she spends in Cuba. Both romances feel insta-lovey to an extent.

Overall, I did enjoy delving into a different culture and historical period, and I felt like I learned a good bit about Cuba through this book. Ultimately, though, I can’t help but feel like the time would have been better spent on a documentary on the same topic.


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How We Disappeared, by Jing-Jing Lee (Review)

How We Disappeared
by Jing-Jing Lee

Genre: Historical Fiction

Length: 352 Pages

Release date: May 7, 2019

Publisher: Hanover Square Press


Singapore, 1942. As Japanese troops sweep down Malaysia and into Singapore, a village is ransacked, leaving only two survivors and one tiny child.

In a neighboring village, seventeen-year-old Wang Di is strapped into the back of a troop carrier and shipped off to a Japanese military brothel where she is forced into sexual slavery as a “comfort woman.” After sixty years of silence, what she saw and experienced still haunts her.

In the year 2000, twelve-year-old Kevin is sitting beside his ailing grandmother when he overhears a mumbled confession. He sets out to discover the truth, wherever it might lead, setting in motion a chain of events he never could have foreseen.

Weaving together two time lines and two very big secrets, this stunning debut opens a window on a little-known period of history, revealing the strength and bravery shown by numerous women in the face of terrible cruelty. Drawing in part on her family’s experiences, Jing-Jing Lee has crafted a profoundly moving, unforgettable novel about human resilience, the bonds of family and the courage it takes to confront the past.


My thanks to Hanover Square Press and NetGalley for sending me an ARC of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

How We Disappeared is a beautiful, heartbreaking historical fiction novel with an element of mystery. There are several different story lines woven together with different point-of-view characters, but the strongest part of the novel while, also perhaps being the most difficult to read, was Wang Di’s experience. Wang Di is taken from her family during WWII and forced into sexual slavery as an innocuously named “comfort woman.”

Jing-Jing Lee’s writing is beautiful and the character of Wang Di brings a personality to a very real tragedy that could otherwise feel quite distant and abstract in today’s day and age. Despite the plethora of WWII historical fiction, there seem to be comparatively few novels which acknowledge the horrific abuse which “comfort women” suffered, much less the lack of understanding these women would have received from their fellow countrymen after the war. Despite the reality that this was a situation of sexual slavery, Wang Di knows that she cannot expect sympathy, and people will treat her as if she consented and, in doing so, betrayed her country to the Japanese invaders. Lee has portrayed that heartbreak and internalization of shame flawlessly.

While Wang Di’s story was much more dramatic, 12-year-old Kevin definitely won me over as well. His grandmother’s deathbed confession turns his understanding of his family upside-down, and he is determined to solve the mystery without the aid of his father. While his story isn’t exactly lighthearted, it definitely provides a counter balance to Wang Di’s much darker storyline and feels like an adventure.

Overall, I thoroughly enjoyed How We Disappeared, and definitely recommend it to fans of historical fiction. I’ve seen it recommended to fans of Pachinko several times, and while I understand the comparison, I do think How We Disappeared has much better pacing (and it’s also about 150 pages shorter.) Jing-Jing Lee has brought an under-represented bit of history to life in this novel.


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The Seven or Eight Deaths of Stella Fortuna, by Juliet Grames (Review)

The Seven or Eight Deaths of Stella Fortuna 
by Juliet Grames

Genre: Historical Fiction, Cultural

Length: 464 Pages

Release date: May 7, 2019

Publisher: Ecco Press


In this stunning debut novel, a young woman tells the story behind two elderly sisters’ estrangement, unraveling family secrets stretching back a century and across the Atlantic to early 20th century Italy

For Stella Fortuna, death has always been a part of life. Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.

In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.

When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.

In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.


My thanks to Ecco Press for sending me an ARC of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher.

“This is the story of Mariastella Fortuna the Second, called Stella, formerly of Ievoli, a mountain village of Calabria, Italy, and lately of Connecticut, in the United States of America. Her life stretched over more than a century, and during that life she endured much bad luck and hardship. This is the story how she never died.”

This book was an absolute dream. Let me get the negative out of the way first and say that the only thing that’s keeping me from rating it a full five stars is that the pacing sometimes felt a bit slow. That being said, the writing style was phenomenal and Grames really made these characters feel intimately real.

This novel is the life story and family history of Stella Fortuna, with a series of near-death instances providing the backbone of the plot. Stella was born in a rural Italian village about a hundred years ago. Her father is about as useless as can be, but her mother loves her dearly and Stella is fiercely protective of her younger sister, Tina (at least when they are young.) The story follows the family from their origins in Italy to the end of Stella’s life in the US, long after her family emigrates on the cusp of WWII.

This may sound odd, but one of my favorite things about this book was Grames’ choice of narrator; the book is told from the point of view of a descendant of Stella. The narrator’s voice is understated for most of the book, but there are moments when her personality shines through, and I think telling the story from the point of view of one of Stella’s distant family members was a perfect choice. She is distant enough from the events of the story that she doesn’t seem to have a vested interest in skewing her telling, but she is close enough to Stella as a person that there’s a real sense of emotional connection.

Grames explores Stella’s difficult transition in America so convincingly. Dragged across an ocean by a father she never even loved, Stella feels cut off from a vital part of herself. What was supposed to feel like a new beginning simply leaves her feeling unmoored, and it’s not long before her parents are rushing to marry her off. Having grown up witnessing her father’s treatment of her mother, the very last thing Stella wants is a husband.

I spent a lot of time reading this book thinking of how different things would have been for Stella had she been born in another generation or another place. Living in that time period and having the extra pressure as an immigrant to fall in line with what’s considered “acceptable” behavior for a woman, there’s a great tragedy in knowing that in another time, Stella could have lived the life she wanted without scrutiny.

The Seven or Eight Deaths of Stella Fortuna is a lovely novel and an excellent choice for those who enjoy reading historical fiction and family sagas.

Content warnings: rape, sexual abuse of children


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The Editor, by Steven Rowley (Review)

The Editor
by Steven Rowley

Genre: Fiction, Historical Fiction

Length: 320 Pages

Release date: April 2, 2019

Publisher: Putnam


From the bestselling author of Lily and the Octopus comes a novel about a struggling writer who gets his big break, with a little help from the most famous woman in America.

After years of trying to make it as a writer in 1990s New York City, James Smale finally sells his novel to an editor at a major publishing house: none other than Jacqueline Kennedy Onassis. Jackie–or Mrs. Onassis, as she’s known in the office–has fallen in love with James’s candidly autobiographical novel, one that exposes his own dysfunctional family. But when the book’s forthcoming publication threatens to unravel already fragile relationships, both within his family and with his partner, James finds that he can’t bring himself to finish the manuscript.

Jackie and James develop an unexpected friendship, and she pushes him to write an authentic ending, encouraging him to head home to confront the truth about his relationship with his mother. Then a long-held family secret is revealed, and he realizes his editor may have had a larger plan that goes beyond the page…

From the bestselling author of Lily and the Octopus comes a funny, poignant, and highly original novel about an author whose relationship with his very famous book editor will change him forever–both as a writer and a son.


The Editor is Steven Rowley’s second novel, the first being Lily and the Octopus. Lily was a cute and sweet book, but a bit… odd, and I do have to say that The Editor feels like a big step up for Rowley as an author.

Imagine entering into a working relationship with an unknown person only to encounter an absolute cultural icon like Jackie Kennedy. The Editor is in part about the slow shift that occurs between viewing someone like that as a concept and coming to know them as a human being. The protagonist, James Smale, is initially starstruck by Jackie, but throughout the course of working on his semi-biographical novel with her, necessarily bears his soul, and a sense of mutual affection grows between the two. It had me thinking of the slow shift between Monique and Evelyn in The Seven Husbands of Evelyn Hugo, so if that appealed to you as a reader, you’ll definitely find something to love in this book.

The novel James is working through with Jackie is inspired by events of his childhood. To work out all the kinks in the story, he needs to reframe his thinking and work through some unresolved personal issues, primarily involving his mother. The Editor, despite the potentially show-stealing presence of Jackie Kennedy, is at its heart a family drama. Unresolved conflicts and a little nudging from Jackie eventually lead James back to his childhood home to confront his demons…. or his family, as it were.

Rowley writes with such a sense of sincerity balanced with lighthearted humor. Jackie challenges James to address the truth behind his fiction and the result is emotionally raw and eventually heartwarming. The Editor is a story about the emotional vulnerability that is necessary for healing and the underlying humanity of those who seem larger than life. Rowley has definitely improved since his first novel, and The Editor is an absolute gem. I can’t wait to see what he writes next!


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Question of the day: If you were working on a novel and could have the help of any historical figure, who would you choose? Let me know in the comments!


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Lost Roses, by Martha Hall Kelly (Review)

Lost Roses
by Martha Hall Kelly

Genre: Historical Fiction

Length: 448 Pages

Release date: April 9, 2019

Publisher: Ballantine Books


The runaway bestseller Lilac Girls introduced the real-life heroine Caroline Ferriday. This sweeping new novel, set a generation earlier and also inspired by true events, features Caroline’s mother, Eliza, and follows three equally indomitable women from St. Petersburg to Paris under the shadow of World War I.

It is 1914 and the world has been on the brink of war so many times, many New Yorker’s treat the subject with only passing interest. Eliza Ferriday is thrilled to be traveling to St. Petersburg with Sofya Streshnayva, a cousin of the Romanov’s. The two met years ago one summer in Paris and became close confidantes. Now Eliza embarks on the trip of a lifetime, home with Sofya to see the splendors of Russia. But when Austria declares war on Serbia and Russia’s Imperial dynasty begins to fall, Eliza escapes back to America, while Sofya and her family flee to their country estate. In need of domestic help, they hire the local fortuneteller’s daughter, Varinka, unknowingly bringing intense danger into their household. On the other side of the Atlantic, Eliza is doing her part to help the White Russian families find safety as they escape the revolution. But when Sofya’s letters suddenly stop coming she fears the worst for her best friend.

From the turbulent streets of St. Petersburg to the avenues of Paris and the society of fallen Russian emigre’s who live there, the lives of Eliza, Sofya, and Varinka will intersect in profound ways, taking readers on a breathtaking ride through a momentous time in history.


My thanks to Ballantine Books and NetGalley for sending me an ARC of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher. 

Lost Roses is a prequel to Lilac Girls, and both books feature Caroline Ferriday, although Lost Roses focuses more on Caroline’s mother, Eliza, than on Caroline herself. the two books can definitely be read in either order and I don’t think it would impact how much you would enjoy either one. Lost Roses follows the interconnected stories of three principal point of view characters:

Eliza – an American socialite who is passionate about charity work

Sofya – a wealthy Russian woman and dear friend of Eliza

Varinka – a teenage girl employed as a servant in Sofya’s home in Russia

Lost Roses feels a bit slow in the beginning. Your mileage may vary, but it took me longer than most books to become invested in this one. I read small bits and pieces of the first half while finding myself sidetracked by other books, then flew through the second half. I think part of the issue was the number of point of view characters and the degree of separation of each of their stories, despite each of the POV characters knowing at least one of the others. I think this format made it take a bit longer to get to know each of these women well enough to become invested in their stories. To a lesser extent, I had the same issue with Lilac Girls, which is set up the same way, but both books feel well worth that time investment by the time they are done.

One of the best things about this novel is the way Martha Hall Kelly brings interesting, morally grey characters to life. Varinka was particularly interesting to me; I don’t want to get into spoilers, but the hardships of her life certainly play a part in some horrible decisions she makes and her total lack of empathy for certain people. She is pitted against Sofya by events which are outside of either woman’s control. Sofya, conversely, seems totally blind to the strife in her home country until it begins to impact her personally. Most members of the Russian aristocracy definitely give off a bit of a Marie Antoinette vibe at times, far more concerned with the luxuries of their daily lives than the fact that the common people are starving.

It’s clear that Martha Hall Kelly did a lot of research to get the time period right. Depending on your taste, you may feel this adds a lot of texture to the story or it may feel overly detailed. As a big history enthusiast, a loved the detail and thought it helped the reader to get to know the characters better by giving a very full sense of their environment, particularly the anxieties brought on by the political chaos of the time.

All in all, despite the slow start, I definitely recommend Lost Roses. Fans of Lilac Girls will absolutely want to grab a copy of Martha Hall Kelly’s latest work.


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