Review – Vox, by Christina Dalcher

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Vox
by Christina Dalcher

Genre: Dystopian

Length: 326 Pages

Release date: August 21, 2018

Publisher: Berkley

Synopsis:

Set in an America where half the population has been silenced, VOX is the harrowing, unforgettable story of what one woman will do to protect herself and her daughter.

On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial—this can’t happen here. Not in America. Not to her.

This is just the beginning.

Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.

But this is not the end.

For herself, her daughter, and every woman silenced, Jean will reclaim her voice

rating

three

I wonder what the other women do. How they cope. Do they still find something to enjoy? Do they love their husbands in the same way? Do they hate them, just a little bit?

Vox is a dystopian novel in the vein of The Handmaid’s Tale which blends the personal and the political. Set in an America which has been taken over by hyper-conservative extremists, women are no longer allowed to work, and they are forced to wear word counters which administer painful electric shocks if they go over their allotted 100 daily words.

I originally reviewed this book not long after starting my blog, and my reading habits have changed a lot since then; I think a lot of that has to do with twice monthly book club meetings and getting into the habit of engaging with the media I consume on a deeper level in order to discuss it. I don’t normally revisit books I’ve already reviewed, but when Vox was chosen as this month’s book, I knew before picking it up that my feelings would be a lot different this time, and I thought it may be interesting to talk about.

The biggest issue I have upon rereading Vox is simply that so many aspects of it seem to be under-developed, most glaringly some of the world building aspects. When you write a dystopia set in the near future, you’re asking a lot from your readers in terms of suspension of disbelief, and it needs to be backed up with a solid sense in the text of how we got there.

Comparisons to The Handmaid’s Tale are inevitable with a novel like this, and I think this is one thing that separates them. THT got us to a dystopia really rapidly, but it took a terrorist attack that took out much of the United States’ leadership in one fell swoop to do it. In the face of that level of chaos, it’s easy to see how things could go very wrong, very quickly. Having read Vox twice now, I still don’t feel I have a good grasp of how things descended to the point of half the population receiving electric shocks for the “crime” of using more than 100 words per day.

A lot of the characters feel similarly underdeveloped. While we’re very limited in terms of development for female characters aside from the  protagonist due to the 100 words per day limit, there seems to be little excuse for how one-dimensional the male characters feel. This makes it very difficult to feel emotionally invested in any of the story.

I’ve laid out a lot of criticism here, but there truly were aspects of this novel that I enjoyed. The story was paced well, and it was easy to tear through the whole thing because I needed to see what happened next. On a certain level, I think the novel would have worked better if it were more geared towards the mystery/suspense genre, vs. the piece of feminist dystopian literature that it tries and fails to be.

buy

Amazon | Barnes & Noble | Book Depository | IndieBound

Thank you for reading! Have you read Vox? Please share your thoughts in the comment section.
What’s your favorite novel with feminist themes? Let’s discuss!

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Review – VOX, by Christina Dalcher

tumblr_pet3mdYYfN1xuuvabo1_1280.jpg

VOX
by Christina Dalcher

Genre: Dystopian

Length: 326 Pages

Release date: August 21, 2018

Publisher: Berkley

Synopsis:

Set in an America where half the population has been silenced, VOX is the harrowing, unforgettable story of what one woman will do to protect herself and her daughter.

On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial—this can’t happen here. Not in America. Not to her.

This is just the beginning.

Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.

But this is not the end.

For herself, her daughter, and every woman silenced, Jean will reclaim her voice

rating

five

I wonder what the other women do. How they cope. Do they still find something to enjoy? Do they love their husbands in the same way? Do they hate them, just a little bit?

VOX is a dystopian novel in the vein of The Handmaid’s Tale which expertly blends the personal and the political. Set in an America which has been taken over by hyper-conservative extremists, women are no longer allowed to work, and they are forced to wear word counters which administer painful electric shocks if they go over their allotted 100 daily words.

One of the highlights of the novel is Jean’s strained relationship with her husband. Prior to the political shift which left Jean as a second class citizen, she viewed her husband as gentle; now, she views him as meek and cowardly. He privately disagrees with the direction the country has taken, but feels unable to push for change in his professional life, where he works closely with the president. The slow, simmering resentment is palpable.

Jean makes a really intriguing protagonist for a novel like this, as she was a highly respected scientist before losing her rights. She was a neuroscientist specializing in Wernicke’s Aphasia and working to develop a cure. Wernicke’s Aphasia leaves sufferers unable to produce meaningful speech; words come to them freely and perhaps even in a grammatically correct sequence, but their sentences are gibberish, utterly lacking in meaning. (An example from the book: “Cookie for your thoughts and when the Red Sox gossiping and galloping, I don’t know. There’s going to be hyper-tension!”) Jean’s life’s work was to help give people back the ability to communicate, and she has now been robbed of that herself.

If I have any criticism of VOX, it’s this: I would have liked to see more of the novel devoted to exploring how American society ended up in that state. For example, in The Handmaid’s Tale, Atwood makes a big point of emphasizing how far-right groups pounced on the panic induced by plummeting birth rates. In VOX, it doesn’t feel like quite enough time is devoted to exploring how social mores shifted enough to allow such a drastic change. The America portrayed in VOX is essentially identical to our own… until it isn’t anymore. In retrospect, perhaps this is more ominous than The Handmaid’s Tale.

Purchase links

Amazon | Barnes & Noble | Book Depository | IndieBound

Thank you for reading! Have you read VOX? Please share your thoughts in the comment section.
What’s your favorite novel with feminist themes? Let’s discuss!

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Other places to follow me…
Tumblr | Facebook | Instagram | GoodReads