by Christina Dalcher
Length: 326 Pages
Release date: August 21, 2018
Set in an America where half the population has been silenced, VOX is the harrowing, unforgettable story of what one woman will do to protect herself and her daughter.
On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial—this can’t happen here. Not in America. Not to her.
This is just the beginning.
Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.
But this is not the end.
For herself, her daughter, and every woman silenced, Jean will reclaim her voice
I wonder what the other women do. How they cope. Do they still find something to enjoy? Do they love their husbands in the same way? Do they hate them, just a little bit?
VOX is a dystopian novel in the vein of The Handmaid’s Tale which expertly blends the personal and the political. Set in an America which has been taken over by hyper-conservative extremists, women are no longer allowed to work, and they are forced to wear word counters which administer painful electric shocks if they go over their allotted 100 daily words.
One of the highlights of the novel is Jean’s strained relationship with her husband. Prior to the political shift which left Jean as a second class citizen, she viewed her husband as gentle; now, she views him as meek and cowardly. He privately disagrees with the direction the country has taken, but feels unable to push for change in his professional life, where he works closely with the president. The slow, simmering resentment is palpable.
Jean makes a really intriguing protagonist for a novel like this, as she was a highly respected scientist before losing her rights. She was a neuroscientist specializing in Wernicke’s Aphasia and working to develop a cure. Wernicke’s Aphasia leaves sufferers unable to produce meaningful speech; words come to them freely and perhaps even in a grammatically correct sequence, but their sentences are gibberish, utterly lacking in meaning. (An example from the book: “Cookie for your thoughts and when the Red Sox gossiping and galloping, I don’t know. There’s going to be hyper-tension!”) Jean’s life’s work was to help give people back the ability to communicate, and she has now been robbed of that herself.
If I have any criticism of VOX, it’s this: I would have liked to see more of the novel devoted to exploring how American society ended up in that state. For example, in The Handmaid’s Tale, Atwood makes a big point of emphasizing how far-right groups pounced on the panic induced by plummeting birth rates. In VOX, it doesn’t feel like quite enough time is devoted to exploring how social mores shifted enough to allow such a drastic change. The America portrayed in VOX is essentially identical to our own… until it isn’t anymore. In retrospect, perhaps this is more ominous than The Handmaid’s Tale.
Thank you for reading! Have you read VOX? Please share your thoughts in the comment section.
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