Last night, episode two of HBO’s Sharp Objects adaptation aired. This episode begins to delve more deeply into Camille’s as a character; like other Gillian Flynn characters, she isn’t always likable, but she feels multi-faceted and real.
Camille is in Wind Gap with a job to do, and she’s sometimes less than forthcoming and honest in order to accomplish this. After a murdered little girl’s funeral, Camille shows up at the family’s home with all of the other attendees. She strikes up a conversation with the victim’s father to dig for information without identifying her as a reporter.
This episode also delves more into Camille’s emotional problems and traumatic childhood. Flashbacks blend seamlessly into the current timeline, offering the viewer glimpses of a young Camille and her cold, distant mother after the death of her sister. This episode was replete with images of self harm, with the words carved into Camille’s skin and the pin she keeps in her car to prick her own finger, but also an interesting addition which, to the best of my memory was not included in the book. We see the word “scared” carved into Camille’s car door, just underneath the handle, possibly her attempt to redirect her urges in a less harmful manner.
Camille doesn’t seem to be the only character struggling with a form of self harm. After the funeral, we see Camille’s mother yanking at her eyelashes in a fit of stress. This is the first hint that self destructive behaviors may run in the family; perhaps this is also meant to hint at the mental state of Camille’s younger half sister, Amma, whose duality in behavior is becoming more pronounced as the story continues. Camille bumps into Amma in a convenience store, giggling with her friends during their classmate’s funeral. Later that night, she is wearing a baby doll-esque nightgown at home, playing with a dollhouse and working herself up into a tantrum, which her mother puts down to emotional distress over the deceased classmate.
The rural small-town vibes are also out in full force in this episode, with Camille’s former classmates gossiping about the rest of the town at the wake and small children with access to guns. The gossiping, close-knit but oddly antagonistic community makes for really interesting interactions with Camille, the prodigal daughter returned home. She has more access than a typical reporter, as she’s known to these people, but she has no ability to keep a professional distance.
The pace so far remains slow, although it doesn’t feel like a detriment. Camille is struggling to find her footing in Wind Gap after being gone for so many years, and the pace seems to compliment this, putting the viewer in a similar emotional state to the protagonist while slowly teasing out the mystery. Readers of the book will know that there is a slow build, but the revelations coming are well worth the wait.